Reflections.

Reflections.

Reflections.

Building upon the foundational concepts explored in the project C.L.O.T.H.E.S., this series delves deeper into the notion that the external world serves as a reflection of the self. While the earlier project examined clothing as an external manifestation of an individual's internal emotions and moods, this series broadens the investigation of the internal-external dichotomy. By introducing the mirror as a central prop, the work explicitly engages with the concept of reflection, both literal and metaphorical. The mirror becomes a visual and conceptual device that underscores the interplay between internal identity and external perception, inviting viewers to consider the fluid and reciprocal relationship between self-expression and environmental context.

Building upon the foundational concepts explored in the project C.L.O.T.H.E.S., this series delves deeper into the notion that the external world serves as a reflection of the self. While the earlier project examined clothing as an external manifestation of an individual's internal emotions and moods, this series broadens the investigation of the internal-external dichotomy. By introducing the mirror as a central prop, the work explicitly engages with the concept of reflection, both literal and metaphorical. The mirror becomes a visual and conceptual device that underscores the interplay between internal identity and external perception, inviting viewers to consider the fluid and reciprocal relationship between self-expression and environmental context.

Building upon the foundational concepts explored in the project C.L.O.T.H.E.S., this series delves deeper into the notion that the external world serves as a reflection of the self. While the earlier project examined clothing as an external manifestation of an individual's internal emotions and moods, this series broadens the investigation of the internal-external dichotomy. By introducing the mirror as a central prop, the work explicitly engages with the concept of reflection, both literal and metaphorical. The mirror becomes a visual and conceptual device that underscores the interplay between internal identity and external perception, inviting viewers to consider the fluid and reciprocal relationship between self-expression and environmental context.

Category

Conceptual

Category

Conceptual

Category

Conceptual

Project Type

Passion Project

Project Type

Passion Project

Project Type

Passion Project

Camera

Sony A7III

Camera

Sony A7III

Camera

Sony A7III

Lenses

Sigma ART 24-70mm f/1.8

Lenses

Sigma ART 24-70mm f/1.8

Lenses

Sigma ART 24-70mm f/1.8

Location

Boulder, Colorado

Location

Boulder, Colorado

Location

Boulder, Colorado

Time

January - April 202

Time

January - April 202

Time

January - April 202

Client

University of Colorado Boulder

Client

University of Colorado Boulder

Client

University of Colorado Boulder

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