


Reflections.
Reflections.
Reflections.
Building upon the foundational concepts explored in the project C.L.O.T.H.E.S., this series delves deeper into the notion that the external world serves as a reflection of the self. While the earlier project examined clothing as an external manifestation of an individual's internal emotions and moods, this series broadens the investigation of the internal-external dichotomy. By introducing the mirror as a central prop, the work explicitly engages with the concept of reflection, both literal and metaphorical. The mirror becomes a visual and conceptual device that underscores the interplay between internal identity and external perception, inviting viewers to consider the fluid and reciprocal relationship between self-expression and environmental context.
Building upon the foundational concepts explored in the project C.L.O.T.H.E.S., this series delves deeper into the notion that the external world serves as a reflection of the self. While the earlier project examined clothing as an external manifestation of an individual's internal emotions and moods, this series broadens the investigation of the internal-external dichotomy. By introducing the mirror as a central prop, the work explicitly engages with the concept of reflection, both literal and metaphorical. The mirror becomes a visual and conceptual device that underscores the interplay between internal identity and external perception, inviting viewers to consider the fluid and reciprocal relationship between self-expression and environmental context.
Building upon the foundational concepts explored in the project C.L.O.T.H.E.S., this series delves deeper into the notion that the external world serves as a reflection of the self. While the earlier project examined clothing as an external manifestation of an individual's internal emotions and moods, this series broadens the investigation of the internal-external dichotomy. By introducing the mirror as a central prop, the work explicitly engages with the concept of reflection, both literal and metaphorical. The mirror becomes a visual and conceptual device that underscores the interplay between internal identity and external perception, inviting viewers to consider the fluid and reciprocal relationship between self-expression and environmental context.
Category
Conceptual
Category
Conceptual
Category
Conceptual
Project Type
Passion Project
Project Type
Passion Project
Project Type
Passion Project
Camera
Sony A7III
Camera
Sony A7III
Camera
Sony A7III
Lenses
Sigma ART 24-70mm f/1.8
Lenses
Sigma ART 24-70mm f/1.8
Lenses
Sigma ART 24-70mm f/1.8
Location
Boulder, Colorado
Location
Boulder, Colorado
Location
Boulder, Colorado
Time
January - April 202
Time
January - April 202
Time
January - April 202
Client
University of Colorado Boulder
Client
University of Colorado Boulder
Client
University of Colorado Boulder






